Відео

Happy to see the red pears on here! Such hard working humble guys.

Eyyy colorado native here!!! loved your interview love what it means to make it for you "if you can pay for your apartment and cat" ha ha i agree thanks for the inspiration!

Great interview! Did you say "calendar agent"? Never heard that term before.

Ari with what happened at 24:34 needs to be fixed with those producers sending the label an inducement letter from the start as well as split sheet to avoid that legally.

Sync licensing is dead now. If you are a new composer trying to get into this industry, stop it. You will thank me later

How do you sign up

1:01:45 Brazilians also love you all! I can't wait to see you here

1:00:48 BRAZIL MENTIONED🇧🇷🇧🇷🇧🇷(I'm brazilian)

I LOVE THEM SO MUCH 😭❤️‍🩹

I listen to all podcasts at 2x speed. Including this episode. 😅😂😂😂

Just experimented with the program Suno, for the first time tonight. Songwriters and music creators have just become obselete. This program writes you songs, in 5 seconds. Literally, you tell the program, you want to write a song about whatever you wish, and in 5 seconds it will write you a song. It can also take one of your original songs, and change its style to just about any gengre you want. It does it all in 5 seconds, and it seems to write really good songs. So I think all musicians are now irrelevant. Just go on your interenet and try it, its called Suno.

How is this video with only 2.5k views. This is so insightful!

Aaaahhhh, huge fan of them since 2021! I love these girls so much and listen to their music a lot! I hope they tour in the future as I'd go to one of their conerts! Go Neoni!!! 🖤🖤🖤🖤

This is my favourite podcast by far!! Would love to see more managers like Will! Guys like Myles Shears, Bjorn Sensen, Moe Shalizi, Adam Chaves would be so cool to see! Loved this one so much!! Thank you!

thank you for this interview!! love this!!

Music producers actually do count as song writers , they “wrote the composition to the beat” even tho most is produced on FL studio 💯

Sync licensing music sucks

thanks

Around the 26 min mark - it’s about risk taking. “Chops players” and virtuosos often aren’t risk takers. I once heard a guy play a Beethoven sonata in a small room (record store?) in SF - I’ve heard some of the worlds best pianists but what made this moment standout was the risks this guy was taking - it was thrilling for everyone in the room. That sense of an artist “risking it all to get there”

amazing Take and I love their mantra *No Tears over TikTok!*

love this Take! unbelievable how you get artists to share candidly their independent strategy. Refreshing practical approach.

How about platforms like Taxi that charge up to $300/year for a membership? Would you advice artists/producers to pay money upfront to help pitch their music?

Imagine if Mozart had to make video content 😢

They are ADORABLE! Great interview!

24:40 Repeated lol. This was a great take. I like how insync they were in the conversation. Didn't know they talked fast the whole time.

These two are VERY annoying. Hard to listen to them.

I wrote a very minor hit which was included on Universal Music 100 hit songs 2016. Get this.. I made more money independent than I did on a major. The overheads kill you. btw I have a new tune out on the 5th july if anyone fancies pre saving it :) link in bio.

I have been dipping my toes on and off with Twitch but admit to still not really understanding it. The bits and raids and dynamics aren’t really explained in their tutorials for someone like myself who never spent any time in the gaming world. Most of the musician and artist tutorials are from people who were also gamers so the entry level info is not there (at least a much as I have searched) The discomfort and disorientation is so real for me that I keep pausing hoping it will somehow make sense. These streamers also play/talk/dj for hours. I only have a few song releases and still don’t understand the nuances of doing covers (even using bits of my original audio that is publicly released) There have been so many videos about getting banned and strikes for music content and no real clarification, only 3rd party work arounds that coat money. I really wish he elaborated more on that as well as the how the bits subs and follows actually work on the tangible side. Great video though. 3yrs later when I am watching so I am sure much has changed anyway.

Everynoise New Releases by Genre is/was essential to discovery as a gigging DJ. Spotify pls fix. :/

Loved this interview 🎉

the word "gatekeeper" just scared everybody off 🤣🤣🤣🤣

Don't give me hope.. 🤍🤍

Great chat!

Thank you for the introductory explanation, Ari! I very much appreciate Laura's chill vibe and thoughtful answers to your questions. Another great interview!

my first episode I am seeing on UA-cam! So great :) Thank you so much for your amazing and valuable content

Short n sweet

Nice

A beginner here. Would I have to register as an artist or copyright my songs somehow before using these services? Should I also do ASCAP/BMI?

Congratulations! You rock! Keep it up!

Ari this is great man! Thanks!

in Indonesia, Dangdut EDM is the bomb, minimum 1Mill/month lol. HighSchool kids just created on bootleg FLStudio and got legit lol

How to become a music supervisor: Know somebody Case closed!

Thanks for hosting and sharing this podcast 🙌

🤘😎🤘

Hello Ari, I really enjoy the podcast. I think it would be interesting if you bring on someone who works in the K-pop industry in a future episode. I always wonder how songwriters/producers based in America do their business with overseas entertainment companies. Like do royalties work the same way??

Great interview

Wonderful interview

So how would I go if you use a sample from a song to record into yours? They’ll either make you take it down or pay them pretty much?

Sync licensing agents = virtual record AR!

Thanks for this great interview!I will look into my songs over at the MLC.Thanks!